Exhibition

Location: Mácsai Gallery I. (ground floor)

Éva Adorján

This set of pictures represent the path (my own, yours, ours…) from a randomly chosen perspective, offering optional interpretations. The potentials in associations and contents are endless, just like the ones in the path: steps in time and space, on spiritual, mental or physical paths. Depth of cognition is up to us.

Dorottya Baka

In the centre of my works are the woman, the mother, the source, the sexual power and the arts, the creative energy, which unite the two, physical and spiritual pole of passion in the erotic sphere of the pictures.

Szilveszter Barta

The way out of the labyrinth is the love of art, the art of love. My duty is to love others: I confess this with my colors and strokes. I try to tell the truth about our age, our secrets, about living our lives through others love and sacrifice, about the mystery of experience and Happiness. I adjusted silver and gold paint to pastell. Among my colors you can find black and white as well as complementaries: yellow-blue and red-green. The aim is to paint concepts and thoughts, to project and rise them into the universe, the whole world. Please share with me the hopelesness of the labyrinth, and the secret of stepping into the light.

Erzsébet Pőcze Deliné: Pearl Jewellery

Pearls are like living creatures: they all have their own will, which they fulfil right in the shop with catching your eye when you first see them. Sometimes they are in the drawer for ages till the perfect idea is born. I try to counteract the lack of precious metal ingredients with lacy elegance. Every necklace reflects a piece of me.

Ica Havasi

"There is one thing above all moralities:
it is the unflagging aspiration to get higher,
the constant fight against ourselves,
the insatiable desire to greater chastity,
knowledge, kindness and love."

Goethe



Gyula Kovács

Photography is a brief, essential way of visual expresision. Reflection to momentary feelings is the most important thing in my pictures – besides the meaning. My subject-matters are unbound. I have started to make my first analogue black and white photos in high school, learning it in an autodidactic way. This technique fascinates me to this very day.

Diána Megyes

I mostly make black and white photos –colors often just distract our attention from relevant details. I’d like to present people and their environment through shapes, silhouettes, movements, leaving the back-stair for spectators to get on the train of thoughts about who the figures were, what they were doing there, and whether they were in harmony with the moment? It’s a special kind of a connection between old and new. Till I was 18 years old I only used analogue technique, and I didn’t want to lose this special feeling due to switching to digital.

Judit Tegze Dr.

Engineer and artist, blessed with interest in psychology. Topics of pictures to be seen at this exhibition are temporal and spatial paths and the chance of choice. She visualized these ideas with multiple technique method (computer-graphics, oil painting, pastel drawing).

Barbara Zsidek

’Barbara Zsidek’s, or as known by a lot of people, Bari’s illustrations are just like the ones in fairy-tales. And it’s not only their beauty, which can be compared to tales, they really look like if they would have been taken from an old story. The simplicity and concurrent complexity of colours and figures make her pictures unique. They are girdled with a specific aura: they are driving us back into the pure, naftalin and granny-essenced childhood – everybody who still believes in tales.’

Ágnes Bonácz


Location: Mácsai Gallery II. (ground floor)

Nóri Békés

”If I close my eyes, I can see myself with a big brush in my hand, painting the world of my soul with a million colors. A dancing movement, with sudden or unsteady stops every now and then. Finally I just stand there in the middle of the colorful universe, observing. When I wake up, I would to tell about it to everyone, but there’s a lack of words – that’s why I’ve painted these.”

Tivadar Gaál

„Chooser”

Our decisions are just like us. They exactly reflect how we think about our environment and what role we presume or want for ourselves in the world. Our milieu is shaping us constantly, offering more and more new opportunities, giving us the putative or real freedom of choice. The question may often occur: is the one controlling my life – this big perfection – (ME) or (HIM). The answer might be (US).

Dávid Hodunov

In everyday life we often face situations when we have to choose or make decisions. Sometimes it’s hard to make these decisions. Temptation can be strong, but it’s not certain that choosing short, fast joy is worth it, maybe you will have to pay the price.

Edina Páncsics

Dustmote in the world...
Sometimes I take a breath...
Sometimes I don’t...
We are bleeding and flourishing...

Oliver Šin

I think I understood the meaning of abstract art when my father first saw my paintings. He said these words, if I remember well: ’Alright, but where are the paintings?’
Well, yes, I like to switch my brains off while painting – and some other times as well – and let things simply happen to me.

László Tóth

”Nature and the environment surrounding us are determining topics of my painting. Uniqueness and unusual presentation of details of the view interest me, instead of descriptive presentation. My paintings therefore make you think, going further from familiar view, and pictorial elements appear as decorative surfaces.”


Location: Smoking Room (ground floor)

Petra Böröcz: Alley-Pictures

We are standing next to each other, we differ and belong to each other – or we differ and still belong to each other, even as woman and man. As we are looking at each other, as we avoid each other’s gaze – that motion reflects thousands and thousands of imprints, left on us by souls pacing with or passing by us. Although we mostly have someone to belong to, ultimately, we are alone in our little mews, starting our journey with our soul smiled on and slapped thousand times. We hope or believe that we’ll have someone to take us by the hand when we get out.

Bianka Dobó

In the series of Spam-screen I would like to drive attention to social behavioural patterns experienced in public transport, where we lose our intim spheres, and take up different camouflages. The most wide-spread manner – also used by me – is listening to music what gives no solution for actual problems, it rather offers a direction to gain back our inner balance.

Norbert Papp

All the feelings, fears, dreams surrounding us everyday, get a visible shape in my pictures, appearing in unusual forms of associations. The human-centred representation and the strange, sometimes out-twisted shapeworld of dreams don’t always reflect to concrete events. They rather create figures which can be interpret variously, or which only exist for their own beauty.

Cikra Vajnai

This painting was inspired by the topic of the exhibition ”Labyrinth of paths”. I had been in a great number of situations, when I had to make a difficult decision. In such occasions ideas and possibilities were milling around me, just like the wriggling lines around the young boy in my picture. I could be confused by the chaos of decisions if I would forget, that slightly-almost unawares- I am directed towards the get-out which is glimmering in front of me.

Location: Teahouse (ground floor)

Bogi Bíró

I’ve been studying drawing at the University of Szeged for two years. Beside painting I often make photos too. I’m using old cameras I inherited from my parents and grandparents. Nostalgia and playing, projection of feelings. Made-up images of sensations.